In Rosie in Jeans, there is a sense of another world left suspended in time. A seated figure is surrounded by densely packed objects and detritus, symbolizing consumption and abundance. Her gaze is elsewhere, looking beyond the frame in a state of existential contemplation. A pair of hands with a saw enter the left side of the composition, a distributive element that adds tension and humor. The picture is realistic yet fantastical, with inconsistencies that place the scene somewhere in between the physical and metaphysical realms.